......................................................................................................................................................................................................................
  Plan # 1   reversed ​silkscreen transferred to photo-etch polymer plates • 220cm x 147cm • 2007   ​  Our moods, our thoughts, our emotions, our feelings can bring about change here. And we are in no condition to comprehend them. Old traps vani

Plan # 1
reversed ​silkscreen transferred to photo-etch polymer plates • 220cm x 147cm • 2007

Our moods, our thoughts, our emotions, our feelings can bring about change here. And we are in no condition to comprehend them. Old traps vanish, new ones take their place: the old safe places become impassable, and the route can either be plain and easy or impossibly confusing. That’s how the zone is. It may even seem capricious. But in fact, at any moment it is exactly as we devise it, in our consciousness............everything that seems to happen here depends on us, not on the zone.

Extract from the film 'Stalker' by Andrei Tarkovsky​


What is Grey Matter
Grey Matter is an artists’ book project created in 2008 by Jonathan Houlding (Artist) and Sean Borodale (Writer and film maker) in collaboration with the Fundacion Pilar i Joan Miro, Mallorca and the Print Research Centre at The Slade School of Fine Art, London. The ‘Grey Matter’ project was conceived over a period of a year through a series of independent works and discussions between artist and writer. This also included a residency at the Graphic studios Fundacion Pilar i Joan Miro in Mallorca, Spain, where one of the map prints was produced.

About Grey Matter
Grey Matter alludes to the substance in which we think and into and out of which we bring to bear our understanding of the world. It tries to pin down the representation of an interior world, a world which has no outwardly discernible or physically palpable spaces.

As a narrative, Grey Matter plays out the experience of a conscious being in emergence from a state of trauma or deprivation, a body or entity moving slowly through repetitions within ill- lit environments or dim memories, towards a point of possible absurdity or non-sense, such as ‘spoon without eyes’. The inwardness of the text is resonant with the drawn representation of impossible space, the return to a colossal number of random marks, scribbles, congested layers warped and tangled together. Like the artists who made this work, the reader/the listener/the observer is left clutching at straws.

Grey Matter consists of:
• Each box set is made by master technicians in Spain and England.
• The box is approximately 34cm x 43cm. The box, book CD and cover are all paper-covered in grey ‘Colourplan Smoke’.
• The box has four bespoke compartments and contains two maps; one book; one audio CD.
Each ‘map’ is an etching comprising of 20 individual prints mounted onto grey cotton. Each is hand printed by a master printer. The open maps are approximately 220cm wide by 147cm high, and when folded, 34cm x 40cm.
• The book, hand printed by the artists (silkscreen) contains 56 pages of text, printed black on grey ‘Colourplan Smoke’ 135gsm paper. The books have been individually hand bound. The CD (printed grey to match the ‘Colourplan Smoke’ paper) contains an audio recording of the text, read by the actor Benedict Wong (Prometheus, Moon).

  Plan #1 detail

Plan #1 detail

  Plan #1 detail

Plan #1 detail

  Plan #2   ​Hard/soft ground and drypoint etching on copper plates • 220cm x 147cm • 2007

Plan #2
​Hard/soft ground and drypoint etching on copper plates • 220cm x 147cm • 2007

  Plan #2 detail

Plan #2 detail

  Plan #2 detail

Plan #2 detail

  Installation at Estampa Art Fair with Fundacio Pilar i Joan Miro • 2007

Installation at Estampa Art Fair with Fundacio Pilar i Joan Miro • 2007

  Grey Matter book showing from front, Plan #2 (folded), hand printed and bound book, CD (poetry read by Benedict Wong) and a bespoke box with Plan #1 (folded inside). 

Grey Matter book showing from front, Plan #2 (folded), hand printed and bound book, CD (poetry read by Benedict Wong) and a bespoke box with Plan #1 (folded inside). 

  ​Entrance corridor to the Grey Matter installation

​Entrance corridor to the Grey Matter installation

  ​Inside Grey Matter installation, two etchings face each other in a dimly lit room. The recorded text is played into the space.

​Inside Grey Matter installation, two etchings face each other in a dimly lit room. The recorded text is played into the space.

DPP_0132.jpg
DPP_0015.jpg

Plan # 1
reversed ​silkscreen transferred to photo-etch polymer plates • 220cm x 147cm • 2007

Our moods, our thoughts, our emotions, our feelings can bring about change here. And we are in no condition to comprehend them. Old traps vanish, new ones take their place: the old safe places become impassable, and the route can either be plain and easy or impossibly confusing. That’s how the zone is. It may even seem capricious. But in fact, at any moment it is exactly as we devise it, in our consciousness............everything that seems to happen here depends on us, not on the zone.

Extract from the film 'Stalker' by Andrei Tarkovsky​


What is Grey Matter
Grey Matter is an artists’ book project created in 2008 by Jonathan Houlding (Artist) and Sean Borodale (Writer and film maker) in collaboration with the Fundacion Pilar i Joan Miro, Mallorca and the Print Research Centre at The Slade School of Fine Art, London. The ‘Grey Matter’ project was conceived over a period of a year through a series of independent works and discussions between artist and writer. This also included a residency at the Graphic studios Fundacion Pilar i Joan Miro in Mallorca, Spain, where one of the map prints was produced.

About Grey Matter
Grey Matter alludes to the substance in which we think and into and out of which we bring to bear our understanding of the world. It tries to pin down the representation of an interior world, a world which has no outwardly discernible or physically palpable spaces.

As a narrative, Grey Matter plays out the experience of a conscious being in emergence from a state of trauma or deprivation, a body or entity moving slowly through repetitions within ill- lit environments or dim memories, towards a point of possible absurdity or non-sense, such as ‘spoon without eyes’. The inwardness of the text is resonant with the drawn representation of impossible space, the return to a colossal number of random marks, scribbles, congested layers warped and tangled together. Like the artists who made this work, the reader/the listener/the observer is left clutching at straws.

Grey Matter consists of:
• Each box set is made by master technicians in Spain and England.
• The box is approximately 34cm x 43cm. The box, book CD and cover are all paper-covered in grey ‘Colourplan Smoke’.
• The box has four bespoke compartments and contains two maps; one book; one audio CD.
Each ‘map’ is an etching comprising of 20 individual prints mounted onto grey cotton. Each is hand printed by a master printer. The open maps are approximately 220cm wide by 147cm high, and when folded, 34cm x 40cm.
• The book, hand printed by the artists (silkscreen) contains 56 pages of text, printed black on grey ‘Colourplan Smoke’ 135gsm paper. The books have been individually hand bound. The CD (printed grey to match the ‘Colourplan Smoke’ paper) contains an audio recording of the text, read by the actor Benedict Wong (Prometheus, Moon).

Plan #1 detail

Plan #1 detail

Plan #2
​Hard/soft ground and drypoint etching on copper plates • 220cm x 147cm • 2007

Plan #2 detail

Plan #2 detail

Installation at Estampa Art Fair with Fundacio Pilar i Joan Miro • 2007

Grey Matter book showing from front, Plan #2 (folded), hand printed and bound book, CD (poetry read by Benedict Wong) and a bespoke box with Plan #1 (folded inside). 

​Entrance corridor to the Grey Matter installation

​Inside Grey Matter installation, two etchings face each other in a dimly lit room. The recorded text is played into the space.

  Plan # 1   reversed ​silkscreen transferred to photo-etch polymer plates • 220cm x 147cm • 2007   ​  Our moods, our thoughts, our emotions, our feelings can bring about change here. And we are in no condition to comprehend them. Old traps vani
  Plan #1 detail
  Plan #1 detail
  Plan #2   ​Hard/soft ground and drypoint etching on copper plates • 220cm x 147cm • 2007
  Plan #2 detail
  Plan #2 detail
  Installation at Estampa Art Fair with Fundacio Pilar i Joan Miro • 2007
  Grey Matter book showing from front, Plan #2 (folded), hand printed and bound book, CD (poetry read by Benedict Wong) and a bespoke box with Plan #1 (folded inside). 
  ​Entrance corridor to the Grey Matter installation
  ​Inside Grey Matter installation, two etchings face each other in a dimly lit room. The recorded text is played into the space.
DPP_0132.jpg
DPP_0015.jpg